{"id":20114,"date":"2023-06-14T19:07:19","date_gmt":"2023-06-14T17:07:19","guid":{"rendered":"https:\/\/www.luzinterruptus.com\/?p=20114"},"modified":"2023-06-15T16:15:18","modified_gmt":"2023-06-15T14:15:18","slug":"the-plastic-we-live-with-el-plastico-con-el-que-vivimos-buenos-aires-2023","status":"publish","type":"post","link":"https:\/\/www.luzinterruptus.com\/?p=20114","title":{"rendered":"The Plastic We Live With \/ El pl\u00e1stico con el que vivimos. Buenos Aires 2023"},"content":{"rendered":"

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\"\"<\/a> Picture: Melisa Hern\u00e1ndez<\/figure>\n

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Last May, the local government of the city of Buenos Aires \u2013 through the Ministerio de Espacio P\u00fablico e Higiene Urbana (Department of Public Areas and Urban<\/strong> Sanitation)<\/a> \u2013 invited us to celebrate the World Recycling Day<\/a> <\/strong>on May 17th and to carry out, for such an occasion, our work The Plastic We Live With<\/em><\/strong>.<\/a><\/p>\n

We have set up this piece in the buildings of many world-famous cities. However, the challenge, in this case, was extraordinary as we had to do this on El Obelisco de Buenos Aires<\/em>, Argentina\u2019s most emblematic monument, which has been the backdrop to the most relevant events of the city of Buenos Aires. Today, it is the epicenter of the city\u2019s commercial and social life as well as the busiest traffic area and the stage for most demonstrations and street protests. It is also the spot where the most popular celebrations take place.<\/p>\n

We wanted to send out the same message as usual:\u00a0to represent, in a graphic understandable way, the plastic surplus infesting our environment, a recurrent theme in our work and in life since everything we consume is practically made of plastic, either wrapped in it or as part of our food transformed into minuscule particles that we also breathe.<\/em><\/p>\n

In order to make our installation worthy of such a lofty setting, visible from all access points to the square, and stand out amid the crowding advertisement, the variety of buildings, the chaotic transit, and the light pollution, we had to raise it over 25 meters (82 ft) above the ground \u2013 quite a building challenge. We achieved this by a complex system of scaffolds and cross sections made with iron extracted from old billboards. We attached our plastics to these panels and fixed them to the structure until the obelisk\u2019s perimeter was covered and the fence around the monument disappeared out of sight.<\/p>\n

The hardest part was getting the recycled plastic that we needed to line the almost 900 square meters (9,867 square feet) of panels and to do this in less than a month. We would have found this impossible somewhere else. However, we knew about Buenos Aires\u2019 exemplary recycling system which is oftentimes managed by CSOs. We have already relied on it successfully back in 2018, when they helped us get the recycled bottles for our Labyrinth of Plastic Waste<\/a><\/strong> that we set up at Teatro Col\u00f3n.<\/p>\n

We needed more than 30,000 bags collected from the recycling system. In order to fill them, we required tons of transparent plastic, the one used for the packaging and transportation of goods. The city\u2019s local government made a public announcement so that citizens would take the bags they had at home to the recycling facilities where we picked up a large amount of it. Additionally, these CSOs gathered a generous selection of bags that they received in good condition, so we also salvaged a good quantity from there. We made the remaining part out of plastics that we rescued from trash containers that the\u00a0Cooperativa Baires Cero<\/a><\/em><\/strong>\u00a0processed and turned into rolls of colored bags that we also used. The transparent plastic used as filling did not pose a problem as tons of it are found at recycling facilities.<\/p>\n

We employed powerful LED beams to backlight the panels. The light went through the layers of plastic turning the waste material into a grandiose stained-glass window which sent a clear message: large quantities of disposable plastic are still in circulation despite all the bans.<\/p>\n

This piece remained installed for a week. We hope that the visitors \u2013 who had a chance to photograph themselves against an extraordinary background \u2013 had the time to think about what we wanted to expose by gathering before their eyes and their cellphones such a huge quantity of toxic material.<\/p>\n

After the piece was disassembled, all the material was returned to the CSOs that had previously lent it to us. The panels were also recovered to be used for other purposes. The scaffolds and beams that we rented will continue to be used in other productions.<\/p>\n

We want to thank the awesome team that helped us put all this together: the local government of the city of Buenos Aires<\/a><\/strong><\/em> for accepting our proposal and\u00a0Abrazo Brand Experience<\/a><\/strong>\u00a0for hiring us, producing the piece and managing the space and the materials. Many thanks to\u00a0Circo Reciclado<\/a><\/em><\/strong>\u00a0for their collaboration with the local CSOs, for getting the material and assembling all the panels, all this thanks to the work of a magnificent team made up of friendly organizations that are dedicated to recycling.<\/p>\n

Special thanks to the 6 local recycling organizations that selected the materials and eventually helped in the process of filling the bags: Gardel Recicla (Haedo), La muchachita de los Toldos (Ituzaingo), 5 de Diciembre (Gral. <\/em>Rodriguez), Nuestro Ambiente Limpio (Gral. Rodriguez), El brote (Lujan), El Ceibo (CABA) and Baires Cero (CABA)<\/em>. Many thanks as well to our friends from Abuela Naturaleza<\/strong><\/a><\/em>.<\/p>\n

Our deepest appreciation to the lighting technicians who never gave up until the light seeped through the plastic. To the people who set up the scaffolds who, secured by harnesses, attached the panels while working at a considerable height as though they were walking on the ground. To the security guards who watched the piece and also assisted the visitors in the best of moods. And, of course, to the visitors who shared this experience on their social networks and generated thousands of visits and reflections.<\/p>\n

Let\u2019s not forget the great audiovisual team from\u00a0Abrazo Brand Experience<\/strong><\/a><\/em>\u00a0who provided us with wonderful photos and videos of our piece from all the possible angles, even from above. And, of course, many thanks to our dear\u00a0Melisa Hern\u00e1ndez<\/em><\/strong><\/a> for taking care of the team at all times and recording in images the life at the Obelisco<\/em> and the public\u2019s interaction with the piece.<\/p>\n

Marcelo, Facu, Diego, Jos\u00e9, Diego, Caro, R\u00edo\u2026 we miss you already!<\/p>\n

Time of installation: and installation: 20 days.
\nDamages: none.
\nExhibition time: 7 day.<\/p>\n

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El pasado mes de mayo el Gobierno de la Ciudad de Buenos Aires, a trav\u00e9s de su Ministerio de Espacio Publico e Higiene Urbana<\/a>,<\/strong><\/em> nos invit\u00f3 a lleva a cabo la pieza \u00abEl pl\u00e1stico con el que vivimos\u00bb<\/a><\/strong><\/em> durante el D\u00eda Mundial del Reciclaje<\/a> <\/strong><\/em>que se celebra en todo el mundo el 17 de mayo.<\/p>\n

Esta pieza ya la hemos instalado en edificios de muchas ciudades emblem\u00e1ticas, pero en este caso el reto era extraordinario, ya que deb\u00edamos hacerlo sobre \u00ab<\/strong><\/em>El Obelisco\u00bb<\/strong><\/em>, <\/a>el monumento m\u00e1s emblem\u00e1tico de Argentina, escenario de los acontecimientos mas relevantes de Buenos Aires, epicentro de su via social y comercial, as\u00ed como punto neur\u00e1lgico del tr\u00e1fico y escenario de la mayor\u00eda de las protestas y manifestaciones as\u00ed como de los festejos mas multitudinarios.<\/p>\n

El mensaje que quer\u00edamos trasmitir era el mismo de siempre: visualizar gr\u00e1ficamente, el exceso de pl\u00e1stico que nos rodea, un tema recurrente en nuestro trabajo y en la vida, ya que pr\u00e1cticamente todo lo que consumimos, est\u00e1 hecho de este material o va envuelto en \u00e9l o nos lo estamos comiendo en min\u00fasculas part\u00edculas que se encuentran en los alimentos que consumimos, o en el aire que respiramos.<\/em><\/p>\n

Para que la instalaci\u00f3n estuviera a la altura de tan esbelto escenario, fuera bien visible desde todos los accesos a la plaza y se impusiera al exceso de publicidad, al eclecticismo de los edificios, al caos circulatorio y a la contaminaci\u00f3n lum\u00ednica, deb\u00edamos elevarla a mas de 25 metros, todo un desaf\u00edo constructivo. Lo conseguimos mediante un complicado sistema de andamios y perfiles, fabricados con hierro sacado de vallas publicitarias de la ciudad ahora en desuso. En estos paneles pegamos nuestros pl\u00e1sticos y los sujetamos a la <\/span>estructura hasta llenar todo el per\u00edmetro del obelisco, haciendo desaparecer de la vista la valla de protecci\u00f3n del monumento.<\/span><\/p>\n

La dificultad m\u00e1xima era conseguir el pl\u00e1stico reciclado que necesit\u00e1bamos para forrar los casi 900 metros cuadrados de paneles y hacerlo en menos de 1 mes. En cualquier otro contexto nos hubiera parecido imposible de afrontar, pero sab\u00edamos que Buenos Aires tiene un ejemplar sistema de reciclaje, gestionado en muchos casos por cooperativas ciudadanas y confi\u00e1bamos ciegamente ya en el en el 2018 nos ayudaron a conseguir las botellas recicladas del Laberinto de residuos pl\u00e1sticos<\/a> <\/strong>que montamos en el Teatro Col\u00f3n.<\/p>\n

Necesitamos mas de 30.000 bolsas recogidas del sistema de reciclaje, y para rellenarlas, toneladas de pl\u00e1stico transparente del que se usa en el empaquetado y transporte de mercanc\u00edas. El Gobierno de la Ciudad hizo un llamamiento a los ciudadanos para que llevaran las bolsas que tuvieran en casa a los puntos limpios y de ah\u00ed recogimos una gran cantidad. Adem\u00e1s, las cooperativas nos hicieron una buena selecci\u00f3n de las bolsas que les iba llegando en buenas condiciones y de ah\u00ed pudimos salvar tambi\u00e9n una gran cantidad. El resto las creamos con pl\u00e1sticos recuperados de la basura, que la Cooperativa Baires Cero<\/a><\/strong><\/em> proces\u00f3 y convirti\u00f3 en rollos de bolsas de colores que tambi\u00e9n usamos. El pl\u00e1stico transparente de relleno no fue ning\u00fan problema ya que se acumula por toneladas en los puntos limpios.<\/p>\n

Para la iluminaci\u00f3n, empleamos potentes focos leds de bajo consumo con los que retroiluminamos los paneles, consiguiendo que la luz traspasara las capas de pl\u00e1stico y convirtiera el material de deshecho en una grandiosa vidriera en la que leer que aun hay grand\u00edsima cantidades de pl\u00e1stico de un solo uso en circulaci\u00f3n a pesar de las prohibiciones.<\/p>\n

La pieza estuvo instalada una semana y esperamos que los visitantes adem\u00e1s de fotografiarse con un fondo tan extraordinario tuvieran tiempo de pensar en lo que tratamos de evidenciar al acumular delante de sus ojos y sus dispositivos m\u00f3viles tant\u00edsima cantidad de material t\u00f3xico.<\/p>\n

Al desmontar, todo el material fue devuelto a las cooperativas que previamente nos lo hab\u00edan cedido, tambi\u00e9n se recuperaron los paneles para darles otros usos. Por supuesto los andamios y los focos alquilados seguir\u00e1n us\u00e1ndose en otras producciones.<\/p>\n

Queremos dar gracias al tremendo equipo que nos ayudo a poner esto en pie: al Gobierno de la Ciudad de Buenos Aires<\/strong><\/em><\/a> por aceptar nuestra propuesta y a Abrazo Brand Experience<\/a><\/strong><\/em> por contratarnos, producir la pieza y coordinar la gesti\u00f3n del espacio y los materiales. A Circo Reciclado<\/strong><\/em><\/a> por aliarse con las cooperativas de la ciudad, conseguir el material y montar todos los paneles, de la mano de un grand\u00edsimo equipo compuesto por asociaciones amigas dedicadas al reciclaje.<\/p>\n

Gracias especiales a las 6 cooperativas de reciclaje de la ciudad que empezaron seleccion\u00e1ndonos el materiales y acabaron ayudando en el proceso de llenado de las bolsas. Gardel Recicla (Haedo), La muchachita de los Toldos (Ituzaingo), 5 de Diciembre (Gral. Rodriguez), Nuestro Ambiente Limpio (Gral. Rodriguez), El brote (Lujan), El Ceibo (CABA) y Baires Cero (CABA). Tambi\u00e9n a los amigos de Abuela Naturaleza<\/em><\/strong><\/a>.<\/p>\n

Nuestro agradecimiento tambi\u00e9n para los iluminadores, que no desistieron hasta que la luz brot\u00f3 a raudales de dentro del pl\u00e1stico. A\u00a0 los montadores de los andamios que sujetos con arneses fijaron los paneles movi\u00e9ndose en altura como si estuvieran paseando por el suelo. A los guardias de seguridad que custodiaron la pieza y ya de paso atendieron a los visitantes con el mejor \u00e1nimo. Y por supuesto a los visitantes que compartieron en sus redes y generaron miles de visitas y reflexiones.<\/p>\n

No podemos olvidar al gran equipo de audiovisuales de Abrazo Brand Experience<\/strong><\/em><\/a> que nos proporcion\u00f3 maravillosas fotos y videos de la pieza desde todos los puntos de vista posibles incluido el cielo. Y por supuesto a la gran Melisa Hern\u00e1ndez<\/a><\/strong><\/em>, por estar siempre pendiente del equipo y plasmar en\u00a0 im\u00e1genes la vida en el Obelisco y la interacci\u00f3n del p\u00fablico con la pieza.<\/p>\n

Marcelo, Facu, Diego, Jos\u00e9, Diego, Caro, R\u00edo… ya os echamos de menos.<\/p>\n

Tiempo de montaje:\u00a0 20 d\u00edas.
\nDa\u00f1os ocasionados: 0.
\nPermanencia de la intervenci\u00f3n: 7 d\u00edas.<\/em><\/p>\n

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  Picture: Abrazo Brand Experience   Picture: Abrazo Brand Experience   Picture: Abrazo Brand Experience   Picture: Melisa Hern\u00e1ndez   Picture: Abrazo Brand Experience   Picture: Abrazo Brand Experience   Picture: Abrazo Brand Experience   Picture: Abrazo Brand Experience   Picture: Abrazo Brand Experience   Picture: Abrazo Brand Experience   Picture: Abrazo Brand Experience   … Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":1,"featured_media":20226,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[49,45,56,55,46,1],"tags":[71],"cat-trabajos":[72,99,73,74,77],"class_list":["post-20114","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basura","category-efimero","category-evento","category-festival","category-iluminacion","category-sin-categorizar","tag-trabajos","cat-trabajos-72","cat-trabajos-buenos-aires","cat-trabajos-comisariado","cat-trabajos-festivales","cat-trabajos-participativo"],"_links":{"self":[{"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/posts\/20114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20114"}],"version-history":[{"count":26,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/posts\/20114\/revisions"}],"predecessor-version":[{"id":20396,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/posts\/20114\/revisions\/20396"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/media\/20226"}],"wp:attachment":[{"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20114"},{"taxonomy":"cat-trabajos","embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcat-trabajos&post=20114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}