{"id":24717,"date":"2026-01-28T01:17:37","date_gmt":"2026-01-28T00:17:37","guid":{"rendered":"https:\/\/www.luzinterruptus.com\/?p=24717"},"modified":"2026-02-03T22:45:55","modified_gmt":"2026-02-03T21:45:55","slug":"on-blank-pages-en-hojas-blancas-xian","status":"publish","type":"post","link":"https:\/\/www.luzinterruptus.com\/?p=24717","title":{"rendered":"On Blank Pages \/ En hojas blancas. Xi\u2019an 2026"},"content":{"rendered":"
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https:\/\/www.luzinterruptus.com\/wp-content\/uploads\/2026\/01\/On-Blank-Pages-@-Geometry-of-Light-baja.mp4<\/a><\/video><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n
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In December 2025, we presented our installation On Blank Pages<\/em> in Xi\u2019an, China, as part of the first edition of the Chang\u2019an International Light Festival, curated by WAVELENGTH and hosted at Xi\u2019an MixC.<\/p>\n

The piece is located at the main entrance of the site, beneath a pedestrian bridge, facing the architectural feature known as the \u201cTree of Life.\u201d Within this urban context, the installation takes the form of a monumental circular structure, 10 meters in diameter and 4 meters high, entirely covered with thousands of notebooks and illuminated from within. The work functions as a wall of light and words: a collective surface where the public can write, read, and transform the piece through their own contributions.<\/p>\n

The surrounding space is defined by a contemporary, futuristic architecture, characterized by large scales, metallic surfaces, and technological reflections. Against this backdrop, the installation introduces a humble and everyday material: paper. The delicacy of the notebooks, their fragility, and their manual quality establish a dialogue with the solidity of the environment. In this contrast, the work finds its meaning: vulnerability and intimacy emerge within a landscape dominated by monumentality.<\/p>\n

Being located in a covered space intensifies the visual experience. The light emerging from the interior of the structure becomes more concentrated, acquiring an almost physical presence. The ceiling of the bridge, with its reflective surfaces, acts as a suspended mirror that duplicates the installation. The illuminated pages are reflected above, multiplying the image of the notebooks and expanding the presence of the work. Overhead, paper and light form a kind of expanded chamber, where the installation seems to extend beyond its own structure.<\/p>\n

Public participation unfolds in a continuous and open way. Visitors stop, read the messages left by others, and add their own words. Over time, the interventions accumulate, and the surface of the work becomes denser, more complex, and more human. Each written page leaves a visible trace, transforming the installation into a collective archive in constant construction.<\/p>\n

Throughout this extended period, the work evolves organically: the movement of the pages, the inner light, and the constant interaction of the public turn the structure into a living organism, always changing, always growing. The piece is not a closed object, but a process\u2014a space for encounter, memory, and shared expression.<\/p>\n

On Blank Pages<\/em><\/a> is a project we have carried out in different cities and contexts around the world. The Xi\u2019an version stands out for its scale, its duration, the intensity of public participation, and the dialogue between the fragility of paper and the architectural power of its surroundings. In this context, thousands of ordinary pages together acquire an extraordinary dimension.<\/p>\n

Time of installation: 2 days.
Damages: none.
Exhibition time: approximately 2 months.<\/p>\n

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En diciembre de 2025 presentamos nuestra instalaci\u00f3n On Blank Pages<\/em> en Xi\u2019an, China, dentro de la primera edici\u00f3n del Chang\u2019an International Light Festival, comisariado por WAVELENGTH y organizado en el complejo Xi\u2019an MixC.<\/p>\n

La pieza se sit\u00faa en el acceso principal del recinto, bajo una pasarela peatonal, frente al elemento arquitect\u00f3nico conocido como \u201cTree of Life\u201d. En este contexto urbano, la instalaci\u00f3n adopta la forma de una estructura circular monumental de 10 metros de di\u00e1metro y 4 metros de altura, completamente recubierta por miles de cuadernos e iluminada desde el interior. La obra funciona como un muro de luz y palabras: una superficie colectiva donde el p\u00fablico puede escribir, leer y transformar la pieza con sus propias aportaciones.<\/p>\n

El espacio que la acoge est\u00e1 dominado por una arquitectura contempor\u00e1nea y futurista, caracterizada por grandes escalas, superficies met\u00e1licas y reflejos tecnol\u00f3gicos. Frente a ese entorno, la instalaci\u00f3n introduce un material humilde y cotidiano: el papel. La delicadeza de los cuadernos, su fragilidad y su dimensi\u00f3n manual establecen un di\u00e1logo con la solidez del lugar. En ese contraste, la obra encuentra su sentido: lo vulnerable y lo \u00edntimo irrumpen en un paisaje dominado por lo monumental.<\/p>\n

El hecho de estar situada en un espacio cubierto intensifica la experiencia visual. La luz que emerge desde el interior de la estructura se concentra y adquiere una presencia casi f\u00edsica. El techo del puente, con sus superficies reflectantes, act\u00faa como un espejo suspendido que duplica la instalaci\u00f3n. Las p\u00e1ginas iluminadas se reflejan sobre nuestras cabezas, multiplicando la imagen de los cuadernos y ampliando la presencia de la obra. El espacio se convierte as\u00ed en una c\u00e1mara de luz y papel, donde la instalaci\u00f3n parece expandirse m\u00e1s all\u00e1 de su propia estructura.<\/p>\n

La participaci\u00f3n del p\u00fablico se despliega de manera continua y abierta. Los visitantes se detienen, leen los mensajes escritos por otros y a\u00f1aden sus propias palabras. Con el paso del tiempo, las intervenciones se acumulan y la superficie de la obra se vuelve m\u00e1s densa, m\u00e1s compleja y m\u00e1s humana. Cada p\u00e1gina escrita deja una huella visible, transformando la instalaci\u00f3n en un archivo colectivo en permanente construcci\u00f3n.<\/p>\n

A lo largo de los meses de exhibici\u00f3n, la obra evoluciona de forma org\u00e1nica: el movimiento de las p\u00e1ginas, la luz interior y la interacci\u00f3n constante del p\u00fablico convierten la estructura en un organismo vivo, siempre cambiante, siempre en crecimiento. La pieza no es un objeto cerrado, sino un proceso: un espacio de encuentro, memoria y expresi\u00f3n compartida.<\/p>\n

En hojas blancas\u00a0<\/em><\/a> es un proyecto que hemos realizado en diferentes ciudades y contextos del mundo. La versi\u00f3n de Xi\u2019an destaca por su escala, por la duraci\u00f3n de la exhibici\u00f3n, por la intensidad de la participaci\u00f3n p\u00fablica y por el di\u00e1logo entre la fragilidad del papel y la potencia arquitect\u00f3nica del entorno. En este contexto, miles de p\u00e1ginas ordinarias adquieren juntas una dimensi\u00f3n extraordinaria.<\/p>\n

Tiempo de instalaci\u00f3n: 2 d\u00edas.
Da\u00f1os: ninguno.
Tiempo de exhibici\u00f3n: aproximadamente 2 meses.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/form>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

In December 2025, we presented our installation On Blank Pages in Xi\u2019an, China, as part of the first edition of the Chang\u2019an International Light Festival, curated by WAVELENGTH and hosted at Xi\u2019an MixC. The piece is located at the main entrance of the site, beneath a pedestrian bridge, facing the architectural feature known as the … Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":1,"featured_media":24771,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[45,56,55,46,47],"tags":[71],"cat-trabajos":[157,144,74,77],"class_list":["post-24717","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-efimero","category-evento","category-festival","category-iluminacion","category-intervencion","tag-trabajos","cat-trabajos-157","cat-trabajos-china","cat-trabajos-festivales","cat-trabajos-participativo"],"_links":{"self":[{"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/posts\/24717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24717"}],"version-history":[{"count":5,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/posts\/24717\/revisions"}],"predecessor-version":[{"id":24788,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/posts\/24717\/revisions\/24788"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/media\/24771"}],"wp:attachment":[{"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24717"},{"taxonomy":"cat-trabajos","embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcat-trabajos&post=24717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}