{"id":3433,"date":"2015-11-11T00:17:19","date_gmt":"2015-11-10T23:17:19","guid":{"rendered":"https:\/\/www.luzinterruptus.com\/?p=3433"},"modified":"2023-05-15T20:00:28","modified_gmt":"2023-05-15T18:00:28","slug":"lluvia-interactiva-2","status":"publish","type":"post","link":"https:\/\/www.luzinterruptus.com\/?p=3433","title":{"rendered":"Rain Interactive \/ Lluvia interactiva"},"content":{"rendered":"

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Last September we took part in Totally Thames<\/strong><\/a> festival in London, invited by Waterman Arts Centre.<\/strong><\/a><\/p>\n

We recreated our Interactive Light<\/strong><\/a> there, a piece we carried out in 2013 in Campo de la Cebada<\/strong><\/a> in Madrid.<\/p>\n

This time, as the festival\u2019s theme revolved around water, we wanted to highlight the vital need of water and how abhorrent it is to privatize it and trade it for the profit of just a few<\/p>\n

To achieve our goal, we created large drops of light. In order to do this, we filled condoms with water. We thought this as being conceptually appropriate, as condoms are designed to preserve in them the true source of life\u2026<\/p>\n

The formal solution was the same as in La Cebada, but this time we used 3,000 condoms, including extra large and extra strength condoms, which we filled with blue water to turn them into large drops having the shape and the touch of silicone breasts \u2013 quite pleasant to touch and squeeze.<\/p>\n

We created a cubic space with these – framed by lighted, hanging drops – where one could dive in and caress the elements while listening to the gentle sound of the water as it moved.<\/p>\n

This installation was placed in front of Waterman\u2019s main entrance so people would enter it through the installation. We made it grow with the help of the employees from the center and visitors of all ages who came to us intrigued about the strange work we were carrying out \u2013 after their confusion, they quickly offered us their help. And there were not just adults, but also children who contributed their bit to this laborious setup process.<\/p>\n

We want to thank all the nice people from Waterman, Rachel and Jan for inviting us and making our lives easier, all their team that helped us during the setup, the visitors who generously lent us their free time, and the children whose spontaneity created a merry atmosphere.<\/p>\n

A special mention to wasps, who were so happy about our condoms that kept popping our balloons indiscriminately, making our work \u201ca little\u201d more difficult.<\/p>\n

The wonderful photos were taken by\u00a0Lola Mart\u00ednez<\/strong><\/a>.<\/p>\n

Time of installation: 7 days.
\n<\/em>Damages: none.
\n<\/em>Exhibition time: 4 days.<\/em><\/p>\n

———————————————<\/p>\n

EL pasado mes de septiembre participamos en el festival Totally Thames<\/a> de Londres,\u00a0invitados por el Centro de Arte Waterman<\/a>.<\/p>\n

All\u00ed, volvimos a dar vida a nuestra\u00a0Lluvia Interactiva<\/a>, pieza que en el 2013 llevamos a cabo en el Campo de la Cebada<\/a> de Madrid.<\/p>\n

En este caso, aprovechando que la tem\u00e1tica del festival giraba en torno al agua, quisimos llamar la atenci\u00f3n luminosa,\u00a0sobre la necesidad vital del agua para la vida y la aberraci\u00f3n que supone privatizarla y comerciar con ella para lucro de unos pocos.<\/p>\n

Para conseguir nuestro prop\u00f3sito, creando gotas de luz de gran tama\u00f1o. Para lo cual, atrapamos agua dentro de preservativos, conceptualmente nos pareci\u00f3 apropiado ya que los profilacticos han sido dise\u00f1ados para conservar en su interior, la verdadera fuente de vida…<\/p>\n

La soluci\u00f3n formal fue la misma que en La Cebada, pero esta vez usamos 3.000 condones, tambi\u00e9n\u00a0extragrandes y extrafuertes, a los que a\u00f1adimos agua azul, para convertirlos en grandes gotas, con tacto y forma de pecho de silicona, muy agradables de palpar y apretar. <\/span><\/em><\/p>\n

Con ellos creamos un espacio c\u00fabico, delimitado por gotas iluminadas y suspendidas, en el que uno se pod\u00eda sumergir y acariciar los elementos, escuchando el suave sonido del agua al moverse.<\/span><\/em><\/p>\n

La instalaci\u00f3n fue colocada delante de la puerta principal de Watermans, de manera que la gente pudiera acceder al interior a trav\u00e9s de la instalaci\u00f3n, y durante 3 d\u00edas la hicimos crecer ayudados por los propios trabajadores del centro y visitantes de todas las edades que se acercaban intrigados por el extra\u00f1o trabajo que est\u00e1bamos llevando a cabo, pero que despu\u00e9s de unos segundos de desconcierto, se ofrecieron a ayudarnos, y no s\u00f3lo los adultos trabajaron, tambi\u00e9n los ni\u00f1os pudieron aportar su granito de arena en el laborioso proceso de montaje.<\/p>\n

Queremos dar las gracias a la encantadora gente de Waterman, a Rachel y Jan por invitarnos y faciliarnos la vida, a todos su equipo que nos ayud\u00f3 durante el montaje, a los visitantes que nos brindaron generosamente su tiempo libre y a los ni\u00f1os que nos alegraron con su expontaneidad.<\/p>\n

Una menci\u00f3n especial merecen las avispas, que encantandas con nuestros condones se dedicaron a pincharlos indiscriminadamente, dificult\u00e1ndonos \u00abun poquito\u00bb el trabajo.<\/p>\n

Las estupendas fotos son de Lola Mart\u00ednez<\/a>.<\/p>\n

Tiempo de instalaci\u00f3n: 7 d\u00edas.
\nDa\u00f1os ocasionados: 0.
\nPermanencia de la intervenci\u00f3n: 4 d\u00edas.<\/p>\n

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Last September we took part in Totally Thames festival in London, invited by Waterman Arts Centre. We recreated our Interactive Light there, a piece we carried out in 2013 in Campo de la Cebada in Madrid. This time, as the festival\u2019s theme revolved around water, we wanted to highlight the vital need of water and … Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":1,"featured_media":3478,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[71],"cat-trabajos":[110,74,109,77],"class_list":["post-3433","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categorizar","tag-trabajos","cat-trabajos-110","cat-trabajos-festivales","cat-trabajos-londres","cat-trabajos-participativo"],"_links":{"self":[{"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/posts\/3433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3433"}],"version-history":[{"count":20,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/posts\/3433\/revisions"}],"predecessor-version":[{"id":19764,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/posts\/3433\/revisions\/19764"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=\/wp\/v2\/media\/3478"}],"wp:attachment":[{"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3433"},{"taxonomy":"cat-trabajos","embeddable":true,"href":"https:\/\/www.luzinterruptus.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcat-trabajos&post=3433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}